The Listener

CaptureBy John Berry

ONCE THERE WAS a puny little Czech concert violinist named Rudolf, who lived in Sweden. Some of his friends thought he was not the best of musicians because he was restless; others thought he was restless because he was not the best of musicians. At any rate, he hit upon a way of making a living, with no competitors. Whether by choice or necessity, he used to sail about Scandinavia in his small boat, all alone, giving concerts in little seaport towns. If he found accompanists, well and good; if not, he played works for unaccompanied violin; and it happened once or twice that he wanted a piano so badly that he imagined one, and then he played whole sonatas for violin and piano, with no piano in sight.

One year Rudolf sailed all the way out to Iceland and began working his way around that rocky coast from one town to another. It was a hard, stubborn land; but people in those difficult places do not forget the law of hospitality to the stranger–for their God may decree that they too shall become strangers on the face of the earth. The audiences were small, and even if Rudolf had been really first-rate, they would not have been very demonstrative. From ancient times their energy had gone, first of all, into earnest toil. Sometimes they were collected by the local schoolteacher, who reminded them of their duty to the names of Beethoven and Bach and Mozart and one or two others whose music perhaps was not much heard in those parts. Too often people sat stolidly watching the noisy little fiddler, and went home feeling gravely edified. But they paid.

As Rudolf was sailing from one town to the next along a sparsely settled shore, the northeast turned black and menacing. A storm was bearing down upon Iceland. Rudolf was rounding a bleak, dangerous cape, and his map told him that the nearest harbor was half a day’s journey away. He was starting to worry when he saw less than a mile off shore, a lighthouse on a tiny rock island. At the base of the lighthouse was a deep narrow cove, protected by cliffs. With some difficulty, in the rising seas, he put in there and moored to an iron ring that hung from the cliff. A flight of stairs, hewn out of the rock, led up to the lighthouse. On top of the cliff, outlined against the scudding clouds, stood a man.

“You are welcome!” the voice boomed over the sound of the waves that were already beginning to break over the island.

Darkness fell quickly. The lighthouse keeper led his guest up the spiral stairs to the living room on the third floor, then busied himself in preparation for the storm. Above all, he had to attend to the great lamp in the tower, that dominated the whole region. It was a continuous light, intensified by reflectors, and eclipsed by shutters at regular intervals. The duration of light was equal to that of darkness.

The lighthouse keeper was a huge old man with a grizzled beard that came down over his chest. Slow, deliberate, bearlike, he moved without wasted motion about the limited world of which he was the master. He spoke little, as if words had not much importance compared to the other forces that comprised his life. Yet he was equable, as those elements were not.

After the supper of black bread and boiled potatoes, herring, cheese and hot tea, which they took in the kitchen above the living room, the two men sat and contemplated each other’s presence. Above them was the maintenance room, and above that the great lamp spoke majestic, silent messages of light to the ships at sea. The storm hammered like a battering ram on the walls of the lighthouse. Rudolf offered tobacco, feeling suddenly immature as he did so. The old man smiled a little as he declined it by a slight movement of the head; it was as if he knew well the uses of tobacco and the need for offering it, and affirmed it all, yet – here he, too, was halfway apologetic – was self-contained and without need of anything that was not already within his power or to which he did not relinquish his power. And he sat there, gentle and reflective, his great workman hands resting on outspread thighs.

It seemed to Rudolf that the lighthouse keeper was entirely aware of all the sounds of the storm and of its violent impact upon the lighthouse, but he knew them so well that he did not have to think about them; they were like the involuntary movements of his own heart and blood. In the same way, beneath the simple courtesy that made him speak and listen to his guest in specific ways, he was already calmly and mysteriously a part of him, as surely as the mainland was connected with the little island, and all the islands with one another, so commodiously, under the ocean.

Gradually Rudolf drew forth the sparse data of the old man’s life: He had been born in this very lighthouse eighty-three years before, when his father was the lighthouse keeper. His mother – the only woman he had ever known – had taught him to read the Bible, and he read it daily. He had no other books.

As a musician, Rudolf had not had time to read much either – but then, he had lived in cities. He reached down and took his beloved violin out of its case.

“What do you make with that, sir?” the old man asked.

For a second Rudolf thought his host might be joking; but the serenity of the other’s expression reassured him. There was not even curiosity about the instrument, but rather a whole interest in him, the person, that included his “work.” In most circumstances Rudolf would have found it hard to believe that there could exist someone who did not know what a violin was; yet now he had no inclination to laugh. He felt small and inadequate. “I make – music with it,” he stammered in a low voice.

“Music,” the old man said ponderously. “I have heard of it. But I have never seen music.”

“One does not see music. One hears it.”

“Ah, yes,” the lighthouse keeper consented, as it were with humility. This too was in the nature of things wherein all works were wonders, and all things were known eternally and were poignant in their transiency. His wide gray eyes rested upon the little fiddler and conferred upon him all the importance of which any individual is capable.

Then something in the storm and the lighthouse and the old man exalted Rudolf, filled him with compassion, and love and a spaciousness infinitely beyond himself. He wanted to strike a work of fire and stars into being for the old man. And, with the storm as his accompanist, he stood and began to play–the Kreutzer Sonata of Beethoven.

The moments passed, moments that were days in the creation of that world of fire and stars; abysses and heights of passionate struggle, the idea of order, and the resolution of these in the greatness of the human spire. Never before had Rudolf played with such mastery–or with such an accompanist. Waves and wind beat the tower with giant hands. Steadily above them the beacon blazed in its sure cycles of darkness and light. The last note ceased and Rudolf dropped his head on his chest, breathing hard. The ocean seethed over the island with a roar as of many voices.

The old man had sat unmoving through the work, his broad gnarled hands resting on his thighs, his head bowed, listening massively. For some time he continued to sit in silence. Then he looked up, lifted those hands calmly, judiciously, and nodded his head.

“Yes,” he said. “That is true.”

What the Dickens?!

By Philip Pearce

THANKSGIVING’S passed and ‘tis the season to be watching various and sundry adaptations of Dickens’ A Christmas Carol.

Christian Youth Theater of Santa Cruz got off to an early start in mid-November with a commendable production of A Christmas Carol, The Musical. Undaunted by the Louden Nelson’s loudly creaking auditorium seats and arctic air conditioning, more than 50 actors, aged 8 to 18, danced, sang and acted with the vigor, precision and commitment of seasoned troupers, led by an impressively convincing 17-year-old Scrooge (Jason Erwin).

My godson Augie Jonker, who was the young Ebenezer in the CYT show, graduates to the lead role of the grown-up Scrooge in a non-musical version coming up at Twin Lakes School, next door to Cabrillo’s Crocker Theater, the weekend of December 14-17. Augie tells me this is going to be a ground-breaking “black box, minimalist” take on the Dickens classic. This I’ve got to see.

Bay Area Equity actor Jeff Garrett will perform his one-man Scrooge: The Haunting of Ebenezer, December 8-17 at the Colligan Theater, Santa Cruz. Jewel Theatre Company promises an opportunity to “[g]]ory in Dickens’ language, and delight in Garrett’s audacious skill as a performer” of all the major roles in the familiar Yuletide tale. But be warned: this show, unlike others in Jewel’s regular season, starts not at 8 but at 7:30 p.m.

Just when you were wondering what about Monterey?, the wonderful Howard Burnham emails: “I shall offer my ‘signature’ Charles Dickens performing his ‘A Christmas Carol’ at The Little House in Jewel Park, PG, on Thursday, December 21 at 5:30.”

Happy Scrooge-ing.